Archives: Artworks

Putto 2 x 2 x 4

WGBH, Fred Barzyk/New Television Workshop

Autopoiesis

The Art and Technology programme (A&T)

[1]

Sick Cat

domestic

Ecstasy of St. Theresa

Nude Descending a Staircase

Nude Descending a Staircase (No.2) [1]

Morphovision

A-Volve

Gare Saint Lazare

Modern Times

Very Nervous System

Son et Lumière for Bodily Fluids and Functions

[1]

Legible City

Breath

Iconoclast

Opto-solator

Tony de Peltrie

[1]

Tumbling Man

Eye Contact, Responsive Display

Daniel Langlois Foundation

[1]

ISEA

[1]

ZKM

[1]

9 evenings: theatre & engineering

Perhaps the most influential event joining art and technology in the 1960s, 9 evenings was held in October 1966 in New York.

Net Art Per Se (CNN Interactive)

Robot Chair

Éphémère, Responsive Environment 1998

La Plissure du Texte

Roy Ascott’s 1980 telematic artwork, La Plissure du Texte (The Pleating of the Text) explored the potential of computer networking for the interactive, remote, collaborative creation of a work of art that challenged the conventional aesthetic categories of artist, artwork, and viewer, and the traditional opposition of subject and object.  Eleven locations in the US, […]

Terra Nova: Sinfonia Antarctica

The Nauru Elegies: A Portrait in Sound and Hypsographic Architecture

Wiesbadener kunstsommer

“wo bitte geht’s zum Öffentlichen”

Uncle Roy All Around You

BodyScan (IN/OUT)

“To create BodyScan (IN/OUT), Austrian artist Eva Wohlgemuth had her own body accurately scanned and rendered digitally in three dimensions.Using this as a foundation, the artist subjected her digi

Jodi.org

Screenshot of Jodi.org’s hompage

Great Exhibition of 1851 Crystal Palace

Pigeon Blog

“Beatriz DaCosta’s Pigeon Blog (2006) used miniature air pollution sensors, GPS units, and transmitters attached to homing pigeons to evaluate and map local air quality.”[1]

New York Surveillance Camera Players

“Inspired by the situationist theory of détournement, since 1996, the New York Surveillance Camera Players have been enacting agit-prop theatre performances, based on sources including George Orwel

Gametes

Milk Drop Coronet

What the scientist knows as Surface Tension is a sculptor in liquids, and fashions from them delicate shapes none the less beautiful because they are too ephemeral for any eye but that of the high-speed camera.

In the 1930s, Harold ‘Doc’ Edgerton synchronized a camera’s shutter with a  high-intensity electronic flash unit, which enabled significantly faster shutter speeds as in Milk Drop Coronet (BW, 1936, color image left, 1957.