[video src=https://www.youtube.com/watch?v=ODQbbJPTpDY]Julian Oliver and Danja Vasiliev's Prism: The Beacon Frame, is a series of installations inspired by the formerly secret Prism program that uses similar techniques of wireless device localization and mapping, cell-tower hijacking and wireless packet inspection known to be in deployed by state sanctioned surveillance agencies such as the GCHQ(UK) and NSA(USA). It debuted at Transmediale in Berlin in 2014 and was taken down by the venue for allegedly violating German privacy laws.
Networks, Surveillance, Culture Jamming
Metavid is a free-software site that hosts United States public domain legislative footage. Through closed-captioning text from a “simple Linux box”that records “everything C-SPAN shoots,” Metavid can provide “brief searchable clips” of legislative footage. Online communities can engage with the audio and video media archives which are not usually viewed by the public but told second hand through other media outlets. Metavid captures a non-bias recording of legislative meetings so that the people can draw their own opinions and ideas. The close-captioned text allows users to quickly and easily search through the thousands of hours of archived footage so that all the related media appears in the search results.
One Nation Under CCTV is a graffiti artwork criticizing the use of surveillance by the government. It was created in 2007 and was located on Newman Street in London. It was created by London-based guerilla artist Banksy , whose identity remains unknown by the public in 2019. He is known for his satirical, dark, yet political grafitti artwork that he places throughout the world without notice. Banky's work suggests that we are controlled by surveillance and that everything that we do is watched or listened by somebody. Overtime, his artworks are often taken down by the government or destroyed by unknown sources.
Artist Dries Depoorter’s Jaywalking is an interactive installation that displays live surveillance footage of streets in various countries. Surveillance webcams capture footage of crosswalks and identify jaywalkers. From the monitor, visitors are given a choice as to whether or not they want to press a button that emails screenshots to local police stations. The work thus presents audiences with a moral dilemma. The ensuing interactions convey a complete disconnect between the surveilled and the installation viewer in charge of their fate.
A Vancouver based artist who goes by the alias of iHeart, has gotten a lot of attention after Banksy, a famous street and graffiti artist, reposted his work on social media. The work in mention depicts a boy who is obviously distraught and weeping uncontrollably. However, what makes this work so interesting as well as places the work into the category of both culture jamming as well as post-internet art, is the little bits of aerosol paint that depicts the instagram logos that indicate the amount of likes, comments that a user has.
r/place (pronounced "ar slash place" or simply just "place") is a collaborative art project created by the community of the website Reddit.com in April of 2017. r/place was a grid of one million pixels (1000×1000) that was initially completely white. Anyone with a reddit account could visit http://www.reddit.com/r/place between the first and third of April of 2017. Once there, users could pick a color, and place a single pixel of the chosen color anywhere on the grid, including pixels that other users had already filled in. Users were allowed to place additional pixels five to twenty minutes after each pixel they placed. The page still exists, however users can no longer participate in the project and instead the subreddit is now dedicated to people simply talking about r/place.
[video src=https://www.youtube.com/watch?v=gCB9BE5H6B4] Surveillance by governments, corporations, and even other institutions is becoming an epidemic around the world. Prague-based artist Jakub Geltner flips the viewpoint of standard surveillance equipment. Nest positions surveillance equipment such as video cameras and satellite dishes in congested flocks. Located at beaches, elementary schools, buildings, and bridges, amalgamations of up to twenty or so devices are placed within extremely close proximity to each other, pointing every direction. The installations suggest the spreading of an infection or rash, reminding us that in a sense, we are never out of the line of sight; we continually are being watched even when we do not notice.
[video src=https://vimeo.com/245388198] Home made Virtual Soup, developed by artist Avital Meshi, connects Second Life avatars and Real-Life puppeteers. The meeting was held during soup time at St. Columba Catholic School in the virtual community Second Life. The artist set up the meeting with Miss Sarah Sandalwood, editor of O’Hare’s Gap, a guide to a 1930s virtual Irish village. Together, Miss Tali (Avital Meshi’s Second Life avatar) and Miss Sarah Sandalwood “opened a mystical portal between” both worlds. The meeting was a wonderful real-time experience where realities collided. The artist invited her “school family” at UCSC to enjoy soup with Second Life students of St. Columba, and they all experienced a “moment of communal fellowship.”
Warren Sack developed The Conversation Map in order to visualize a comment/reference chain of certain media posts within a forum or archive. The Conversation Map is an interface that analyzes archives and sites based on words and their relationship to each other. Each line on the interface represents a connection or a citation to the post within an archive, like a Facebook, forum, or reddit post. A dot means that there is no reference or citation made to that specific post. The hottest conversations typically mean it would look more like a spider web of lines in contrast to a post with only one or two lines, representing one or two connections to it.
[video src=https://vimeo.com/158497068 height: 200 align:right] Dries Depoorter's Seattle Crime Cams streams surveillance videos in real-time to the gallery installation. The artist tapped into Seattle's surveillance systems by finding the feed of the footage buried in code. This offered him access to a continuous stream of video captured by the city's numerous surveillance cameras. “I found it pretty strange, that the police were sharing all this data to the general public,” he claims. “I had to show what you could do with this… You see just how much surveillance there really is.”
Neil Harbisson is a cyborg artist based in New York City. He is described as a cyborg artist because his artwork his artwork is concerned with the concept of cyborgism but also because he himself is technically a cyborg. He has an antenna implant, which he calls "the Eyeborg." This device is implanted in his skull and was designed to extend the limitations of human color perception. Although he was born completely color blind, he can can now even see infrared and ultraviolet colors that are invisible to humans.
Exploring the medium since the late 1960’s, Steina and Woody Vasulka’s inventive exploration of the new technology coined them as the pioneers of the video arts. The artistic married pair found their inspiration with experimentation of the technology of the moment and social issues of their time. In 1976 Steina (who only goes by her first name) brought her work Allvision to life, born from her research of perception. The installment bears two cameras facing each other on a horizontally rotating axis, in the middle stands a mirrored sphere. The two cameras, on a turntable, slowly orbit the mirrored sphere. Each camera visualizes one half of the reflected space, making the whole space observable as both cameras’ visual were transmitted to four monitors. 
[video src=http://www.youtube.com/watch?v=LiWlvBro9eI align: left height: 200] There are innumerable strategies and motivations behind impersonation on the Internet. Some are legitimate hoaxes, others malicious, others satire. Take this typo for example: Gogle.com. Hypothetically, for every person with a sticky "o" key, or too fast of a double-keystroke, there is someone out there who is able to maliciously attack the unfortunately imperfect typist, logging history, Internet etiquette, and personal data. Inversely, one could hypothetically use similar guerilla tactics to attack companies of questionable moral standing, which is exactly what an internet-hoax group, referred to as “The Yes Men,” have done.
Ascott created Organe et Fonction d’Alice au Pays des Merveilles (Organ and Function of Alice in Wonderland) for Les Immateriaux, the exhibition curated by Jean-Francois… Read More »Organe et Fonction d’Alice au Pays des Merveilles
The Real Costs consists of an open-source Firefox web browser plug-in that inserts CO2 emissions data into airplane travel e-commerce websites such as Orbitz.com, United.com, Delta.com, and so on. Like the nutritional information labeling included on food packaging, this plug-in provides emissions information that is otherwise excluded from travel websites. Instead of a search for travel returning the cost in dollars, The Real Costs informs travellers of the cost of their journey in carbon emisssions and the number of tree-years required to offset it, along with comparative carbon footprint information for other forms of travel. Another graph shows per-capita carbon output by country, with the US off the chart.
This article is a STUB please make edits and adjustments as suggested on Wikipedia to make it more robust. Thanks! String Game: Improvisations for… Read More »String Game: Improvisations for Inter-City Video
Designgraphik is a series of experimental interactive animations, the first of which was created in 1998. Nine total iterations have been created, the most recent of which was released in 2008.
The King’s Cross Phone-In was a co-ordinated effort by British artist Heath Bunting to disrupt the everyday routine of King’s Cross railway station. Bunting utilized various newsgroups and emails lists to distribute instructions for the event staged on August 5th, 1994.