Darwin (programming game)

“Tierra is a derivative of the computer programmers’ game Core War. And Core War was in part inspired by a game called Darwin.

The Light Inside

[video src=http://www.youtube.com/watch?v=gjRMs0izHSE&feature=PlayList&p=A770F9FEAFEA1CC3&index=1]

Distribution of elementary signs

"The procedure has a layered structure and three independent pictures are generated within the format. […]The three pictures combined here use small squares and two kinds of triangular shapes as their elementary signs. They are of different colours. Within their fields, the squares follow an exponential distribution (it shows in the concentration of square heaps). […]

Epizoo

[video src=https://vimeo.com/19785177]In Epizoo (1995), Marcel.Lí Antúnez Roca explores complex layers of control and authority with respect to the cyborgian body and electronic systems. The audience controls the artist's body by means of a mechatronic exoskeleton worn by the performer. The viewers could manipulate Roca’s nose, mouth, ears, glutea and pectoral muscles, causing bizarre contortions.  Like the unwitting subjects of the 1974 Milgram experiment, the audience of Epizoo was confronting with taking responsibility for its actions and for the effects they caused on the performer, who was at their mercy.

Computer Composition With Lines

“Computer Composition With Lines” 1964 This work closely mimics the painting “Composition With Lines” by Piet Mondrian.

TV-Buddha

TV-Buddha

TV Buddha (1974) Closed Circuit video installation with bronze sculpture. [1]

Vectorial Elevation: Relational Architecture 4

Rafael Lozano-Hemmer’s>Rafael Lozano-Hemmer’s Vectorial Elevation is “an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City’s Zócalo Square. The website www.alzado.net enabled any Internet user to design light sculptures over the city’s historic centre, with eighteen searchlights positioned around the square. These searchlights, whose powerful beams could be seen within a 15 kilometers radius, were controlled by an online 3D simulation program and visualised by digital cameras. A personalised webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. These web pages were completely uncensored, allowing participants to leave a wide variety of messages, including love poems, football scores, Zapatista slogans and twenty-seven marriage proposals. In Mexico, the project attracted 800,000 participants from 89 countries over the course of its two-week duration.”[1]

The Other

The Other is an interactive audio installation incorporating temporary an reconfigured architecture, audio only

Blinkenlights (Reloaded)

The author of this entry’s own video from 2005 when the Blinkenlights installation was revamped for a city lights festival:

Evil Interiors

Movie props from famous (Hollywood) movies, rebuild in a 3D game engine.

Superficielle

Upon invitation to reflect on the notion of transparency, that led me into the forest to

Catalog

[video src=http://www.youtube.com/watch?v=TbV7loKp69s]

Vrgb VHS Visual Music Composition n.002

Looking back on the technological evolution of the last few decades, it becomes clear how fast it went and how fast technology was rendered as outdated. One of those media formats was VHS.

Evolved Virtual Creatures

This shows results from Karl Sims’ ”Evolved Virtual Creatures project”, which involving simulated Darwinian evolutions of virtual block creatures.

The Originale

[video src=http://www.youtube.com/watch?v=wiEJdOlgcDE]

TV Bra for Living Sculpture

TV Bra For Living Sculpture (1969) is a crucial work within Nam June Paik’s career. Consisting of two miniature televisions attached to a set of vinyl straps so that the screens functioned as the cups of a woman’s bra, this sculpture was designed to be worn by Paik’s collaborator Charlotte Moorman as she performed […]

If/Then

[video src=http://www.youtube.com/watch?v=qp5pZTYzwsc]

Threatbox.us

Threatbox.us is an interactive installation with web surveillance interface in which a movie frame from a montage of violent excerpts from films, news media, and computer games “attacks” visitors v