Love is Alexander Milov's debut art piece for the Burning Man Festival. The sculpture calls into question how one is to truly"discover one's genuine self in a media-saturated world." Not only does the sculpture itself send a message to its audience, but the material that is used to create the sculpture is also part of the message as well.The outer figures represent the independence and solitude of adulthood. The rebar cages from which they are fashioned represents how society traps our inner selves. By contrast, the children trapped inside suggested the possibility of connection and illumination.
After reading chapter two of Manovich’s Software Takes Command, the difference between multimedia and hybrid media revealed various facets within themselves that I never even knew existed. It struck interest in many ways, but one most of all which was the further study into Joachim Sauter’s Invisible Shape of Things Past. Honestly, at first it […]
[video src=http://www.youtube.com/watch?v=J3XWQzz_JWs align: left height: 200]Bolygo’s take on the self portrait, Trace, is a 2008 sculptural device by the artist, which connects conventional ideas of sculpture, especially of the human form, to contemporary notions of topography and transcription. The piece involves a rotating cast of the artist's head traversed by an extension of a complex but completely mechanical device, which records depth onto a circular piece of paper rotating at the same rate as the head. The artist's own head is then transformed into a compelling topographical map of itself under rotation. The resulting image is noticeably a head, but a heavily distorted one, appearing almost like an image from a spirograph, an evolving concentric diagram of recorded depth.
Random Screen is a mechanical thermodynamic screen that the user can’t control and that functions without any electricity. Conventional tea candles illuminate and generate the changes on the 5×5 pixel screen. (early version 4×4) This work is one of a series of low-tech screen projects that was originally inspired by the Blinkenlights media façade of […]
Zdeněk Pešánek. Torsos of Men and Women (1936) 
Upon invitation to reflect on the notion of transparency, that led me into the forest to