‘Consisting entirely of hundreds of constantly moving points of light, Lapis performs such marvelous transformations of positive and negative space, projected color and after-image, similarity and difference, that the viewer cannot help but contemplate the relationship of the unit to the whole, the individual consciousness to the cosmos, of space to time – and not a dry, forced meditation, but a supremely sensual, purely visual dialogue. Again, “lapis,” the Latin for “stone,” suggests the alchemical philosopher’s stone, but no knowledge of hermetic doctrine is necessary to appreciate the wondrous display – the transmutation occurs directly in the viewer’s mind.’ [1]

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