{"id":14532,"date":"2021-01-14T23:33:33","date_gmt":"2021-01-15T07:33:33","guid":{"rendered":"https:\/\/artelectronicmedia.com\/document\/allvision\/"},"modified":"2021-01-14T23:34:21","modified_gmt":"2021-01-15T07:34:21","slug":"allvision","status":"publish","type":"document","link":"https:\/\/artelectronicmedia.com\/tr\/document\/allvision\/","title":{"rendered":"Allvision"},"content":{"rendered":"

1960’lar\u0131n sonundan bu yana orta ke\u015ffetmek, Steina ve Woody Vasulka’n\u0131n yeni teknoloji yarat\u0131c\u0131 ke\u015fif video sanatlar\u0131 \u00f6nc\u00fcleri olarak icat. Sanatsal evli \u00e7ift, ilhamlar\u0131n\u0131 zaman\u0131n teknolojisi ve zamanlar\u0131n\u0131n sosyal sorunlar\u0131n\u0131n deneyleriyle buldular. 1976’da Steina (sadece ilk ad\u0131 ile anan) allvision<\/em> adl\u0131 eserini alg\u0131 ara\u015ft\u0131rmalar\u0131ndan do\u011fan hayata ge\u00e7irdi. Taksit yatay d\u00f6nen bir eksen \u00fczerinde birbirine bakan iki kamera ta\u015f\u0131r, ortas\u0131nda aynal\u0131 bir k\u00fcre duruyor.  \u0130ki kamera, bir pikap \u00fczerinde, yava\u015f yava\u015f aynal\u0131 k\u00fcre nin y\u00f6r\u00fcngesinde. Her kamera yans\u0131yan alan\u0131n yar\u0131s\u0131n\u0131 g\u00f6rselle\u015ftirerek, her iki kameran\u0131n g\u00f6rseli d\u00f6rt monit\u00f6re iletildi\u011fi i\u00e7in t\u00fcm alan\u0131 g\u00f6zlemlenebilir hale getirir. [1]<\/p>\n

Y\u00fckleme galeri alan\u0131, kay\u0131t ve izleyicilerin kendileri aras\u0131nda interaktif bir par\u00e7a haline geldi. Bu \u00fc\u00e7 unsur aras\u0131ndaki etkile\u015fim ger\u00e7eklik ve alg\u0131 aras\u0131nda bir u\u00e7urum getirdi. S\u00f6k\u00fclm\u00fc\u015f ve par\u00e7alanm\u0131\u015f galeri alan\u0131n\u0131n g\u00f6r\u00fcn\u00fcm\u00fc, ki\u015finin kendi alg\u0131s\u0131n\u0131 farkl\u0131 \u015fekilde alg\u0131layarak d\u00fczle\u015ftirilmi\u015f monit\u00f6r ekranlar\u0131na yans\u0131t\u0131ld\u0131.  “\u0130nsan g\u00f6z\u00fcn\u00fcn hegemonyas\u0131ndan esinlenerek, ve neden her \u015feyi bu bak\u0131\u015f a\u00e7\u0131s\u0131ndan g\u00f6steriyoruz ve d\u00fcnyan\u0131n geri kalan\u0131na neler g\u00f6rd\u00fcklerini anlatacak kameraman kimdir” [1]  Steina videonun ke\u015ffine, yaratt\u0131\u011f\u0131 g\u00f6rsel ger\u00e7eklik ve alg\u0131ya odaklansa da, ger\u00e7eklik ve g\u00f6rsel alg\u0131 aras\u0131nda bir \u00e7atlak olu\u015fturur. Bu nedenle, yay\u0131nlanan \u015feyin mutlaka do\u011fru olmad\u0131\u011f\u0131n\u0131 ima etmek.  <\/p>\n

    \"Unknown_0.jpeg\" \"AllVision01.jpg\" \"Bilinmiyor-1.jpeg\"<\/p>\n

Steina ve kocas\u0131 Woody Vasulka gibi yetmi\u015fli say\u0131s\u0131z sanat\u00e7\u0131 “g\u00f6zetim ve kontrol teknolojileri” el-… “\u015eirketler ve h\u00fck\u00fcmetler taraf\u0131ndan mahremiyetihlaline dikkat \u00e7ekmek.” [2] Ve yine de bu \u00e7a\u011fda ve sosyal sorunlarda teknoloji ilerledik\u00e7e, h\u00fck\u00fcmet g\u00f6zetimi hem hala var, hem de sanat\u00e7\u0131lar\u0131n yine de ke\u015ffetti\u011fi bir alemdir. Eric Eberhardt Sanat Radyo kanal\u0131, youarelisteiningto (2010) sadece bu yok. \u015eifresiz polis radyosuna eri\u015fmek ve dingin ortam m\u00fczi\u011fiyle eritmek dinleyici, huzur, su\u00e7, cazibe ve metropol ya\u015fam d\u00fcnyas\u0131na enraptured oldu\u011funu. Bu kombinasyon, e\u015fi g\u00f6r\u00fclmemi\u015f bir duyulabilir deneyimden ba\u015fka bir \u015fey de\u011fildir. Sanat radyo kanal\u0131n\u0131n web sitesi, youarelistening.to<\/a>, ba\u015flang\u0131\u00e7ta Los Angeles ‘polis ak\u0131\u015f\u0131 ile ba\u015flad\u0131 ve o zamandan beri geli\u015fti ve d\u00fcnya \u00e7ap\u0131nda 28’den fazla \u015fehre \u015fi\u015fti, ve ek olarak JFK, LAX, NASA ve Twitter duyulabilir yay\u0131nlar i\u00e7erir. Eberhardt’\u0131n niyeti asl\u0131nda halk\u0131 izleyen insanlara kulak tutmaktan odaklansa da, yarat\u0131l\u0131\u015f\u0131ndan sonra \u015f\u00f6yle demi\u015ftir: “‘Watchmen’\u0131 izlemek’ (tabiri caizse) polis i\u015flerinin ne kadar s\u0131radan ve tart\u0131\u015fmas\u0131z bir \u015fekilde bir takdir geli\u015ftiriyor” [3] Karma medya projesinin ger\u00e7ek ciddiyeti bunun yerine canl\u0131 polis radyosunun yan yana seslendirmeleri ile kaydedilen m\u00fczik ler aras\u0131ndaki bu etkile\u015fimde yatm\u0131yor. Kentsel ya\u015fam \u0131n ak\u0131llara durgunluk veren ama ba\u015ftan \u00e7\u0131kar\u0131c\u0131 g\u00fczel bir yorumunu ortaya \u00e7\u0131karan dere, \u015fehirlerimizin hem anlat\u0131c\u0131 \u0131v\u0131r z\u0131v\u0131rlar\u0131n\u0131 hem de trajedilerini anlat\u0131yor ve insanla\u015ft\u0131r\u0131yor. [3]<\/p>\n

Al\u0131nt\u0131: <\/p>\n

[1]. Meigh-Andrews, Chris.   Video Sanat\u0131n\u0131n Tarihi: Bi\u00e7im ve Fonksiyonun Geli\u015fimi. Oxford: Berg, 2006. 155. Yazd\u0131rma.<\/p>\n

[2]. Shanken, Edward A. Sanat ve Elektronik Medya. Berlin: Phaidon, 2014.pg 120.<\/p>\n

[3]. Callahan, Sophia. “Polis Taray\u0131c\u0131lar Ve Ambient M\u00fczik Sigorta Formu Gorgeous Found Sanat Radyo | Yarat\u0131c\u0131lar Projesi.”   Yarat\u0131c\u0131lar Projesi. N.p., 10 Ekim 2014. Web. 04 Kas\u0131m 2014. < > http:\/\/thecreatorsproject.vice.com\/blog\/police-scanners-and-ambient-music-fuse-to-form-gorgeous-found-art-radio.<\/p>\n

G\u00f6r\u00fcnt\u00fcler (soldan sa\u011fa): <\/p>\n

http:\/\/www.movingimagesource.us\/articles\/good-neighbors-20120503<\/p>\n

http:\/\/www.vasulka.org\/Steina\/Steina_AllVision\/AllVision.html<\/p>\n

http:\/\/www.edith-russ-haus.de\/no_cache\/en\/exhibitions\/exhibitions\/archive.html?tx_kdvzerhapplications_pi4%5Bexhibition%5D=38&tx_kdvzerhapplications_pi4%5Baction%5D=show&tx_kdvzerhapplications_pi4%5Bcontroller%5D=Exhibition<\/p>\n","protected":false},"featured_media":14512,"template":"","artist":[674],"streams":[6154],"keywords":[5773,6762,5775,5759],"decade":[6054],"media":[6072],"class_list":["post-14532","document","type-document","status-publish","has-post-thumbnail","hentry","artist-steina","streams-aglar-gozetleme-kultur-sikismasi","keywords-installation-tr","keywords-panopticon-tr","keywords-surveillance-tr","keywords-video-tr","decade-1970s-tr","media-installation-tr"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/document\/14532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/document"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/types\/document"}],"version-history":[{"count":2,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/document\/14532\/revisions"}],"predecessor-version":[{"id":14537,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/document\/14532\/revisions\/14537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media\/14512"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?parent=14532"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artist?post=14532"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/streams?post=14532"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/keywords?post=14532"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/decade?post=14532"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?post=14532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}