{"id":2147,"date":"2014-12-02T02:53:14","date_gmt":"2014-12-02T10:53:14","guid":{"rendered":"http:\/\/artelectronicmedia.com\/artwork\/opus-161-2\/"},"modified":"2014-12-02T02:53:14","modified_gmt":"2014-12-02T10:53:14","slug":"opus-161-2","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/tr\/artwork\/opus-161-2\/","title":{"rendered":"Opus 161"},"content":{"rendered":"<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-2147-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=apAjWdV8rG0&#038;_=1\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=apAjWdV8rG0\">https:\/\/www.youtube.com\/watch?v=apAjWdV8rG0<\/a><\/video><\/div>\n<p><strong>Hoperlor&uuml;n&uuml;z&uuml; kapat\u0131p, g&ouml;zlerinizle duyunuz!&nbsp;<\/strong><\/p>\n<p>&ldquo;Ku\u015fa\u011f\u0131m\u0131zda g&uuml;n ge&ccedil;tik&ccedil;e daha fazla say\u0131da sanat&ccedil;\u0131, \u0131\u015f\u0131k &uuml;zerinde, ona bir mermer blo\u011fa g&ouml;z&uuml;n&uuml; dikmi\u015f bir heykelt\u0131ra\u015f\u0131n g&ouml;zleriyle bakarak -\u0131\u015f\u0131kta s\u0131n\u0131rs\u0131z imk&acirc;nlara sahip yeni ve temel bir ifade arac\u0131 g&ouml;rerek- kafa yormaya ba\u015flam\u0131\u015ft\u0131r&rdquo; (Thomas Wilfred).<\/p>\n<p>Wilfred, 1921&rsquo;de geli\u015ftirdi\u011fi &quot;clavilux&quot;la (d&uuml;z anlam\u0131 &lsquo;\u0131\u015f\u0131k klavyesi&rsquo;dir) yans\u0131t\u0131lan ak\u0131\u015fkan \u0131\u015f\u0131k kaleydoskoplar\u0131n\u0131 tan\u0131mlamak i&ccedil;in &lsquo;lumia&rsquo; terimini bulmu\u015ftu. Bu makine hareketli bir lamba, &ccedil;ift koni bir yans\u0131tma sistemi ve de\u011fi\u015fken renkli disklerden (ve tempoyu denetleyen bir klavye, bir kapak ve g&ouml;r&uuml;nt&uuml;ler yaratan projekt&ouml;r \u0131\u015f\u0131klar\u0131yla birlikte) olu\u015fuyordu.<\/p>\n<p>Wilfred bu yeni ara&ccedil;la ilk performanslar\u0131n\u0131 1922&rsquo;de New York&rsquo;ta yapm\u0131\u015f ve &quot;clavilux&quot;la ABD ve Avrupa&rsquo;da, 1920&rsquo;lerde genellikle binlerce say\u0131ya varan izleyiciler toplad\u0131\u011f\u0131 turlara &ccedil;\u0131km\u0131\u015ft\u0131.<\/p>\n<p>1930&rsquo;larda esas u\u011fra\u015f\u0131n\u0131 performanstan, son d&ouml;nemde geli\u015ftirdi\u011fi &lsquo;lumia kutusu&rsquo;na (televizyona benzeyen ama otomatik piyano gibi &ccedil;al\u0131\u015fan bir cihaza) uygun kompozisyona ge&ccedil;irdi. Lumia&rsquo;n\u0131n a\u011f\u0131r a\u011f\u0131r de\u011fi\u015fen \u0131\u015f\u0131k k&uuml;meleri tekrarlanmaks\u0131z\u0131n haftalarca seyrediliyordu.<\/p>\n<p>Performanstan g&ouml;sterime bu \u015fekilde ge&ccedil;mesi, Wilfred&rsquo;in &ccedil;al\u0131\u015fmalar\u0131n\u0131 m&uuml;zik alan\u0131ndan sanat alan\u0131na do\u011fru yeni bir ba\u011flama oturttu. 1942&rsquo;de New York&rsquo;taki the Museum of Modern Art, Wilfred&rsquo;in 1952 y\u0131l\u0131 sergisi olan &quot;15 Americans&quot;da yer alan &quot;Vertical Sequence 137&quot;yi Jackson Pollock ve Mark Rothko&rsquo;nun eserleriyle birlikte sat\u0131n ald\u0131.<\/p>\n<p>Uzun bir metal kabine yerle\u015ftirilmi\u015f \u0131\u015f\u0131kl\u0131 bir organ olan Lumia Suite&rsquo;i, Opus 161&rsquo;i yaratt\u0131\u011f\u0131 s\u0131ralarda, 1960&rsquo;lar\u0131n ortalar\u0131nda New York&rsquo;taki the Museum of Modern Art&rsquo;taki sinema salonunun yak\u0131n\u0131nda s&uuml;rekli olarak g&ouml;r&uuml;lebilirdi.<\/p>\n<p><img decoding=\"async\" alt=\"Img_0379.jpg\" src=\"http:\/\/www.wilfred-lumia.org\/content\/albums\/opus161\/images\/Img_0379.jpg\" \/>[1]<\/p>\n<p>Opus 161, &quot;Untitled,&quot; 1965\/66<\/p>\n<p>A freeze-frame image captured a minute after image to the left.<br \/>\n\tComposition duration: 22 months<br \/>\n\t125 x 79 cm.<br \/>\n\t<a href=\"http:\/\/www.wilfred-lumia.org\/content\/albums\/opus161\/index.html\">View the Opus 161 album.<\/a><\/p>\n<p><a href=\"http:\/\/www.lumia-wilfred.org\/content\/intro.html)\">http:\/\/www.lumia-wilfred.org\/content\/intro.html<\/a><\/p>\n<p>[1] Michael Rogers, &quot;<a href=\"http:\/\/pr.caltech.edu:16080\/periodicals\/CaltechNews\/articles\/v39\/astronomer.html\">The Astronomer Who Found the Light<\/a>&quot; CalTech News 39:3 (2005)<\/p>\n","protected":false},"author":258,"featured_media":0,"template":"","artist":[5595],"streams":[4],"keywords":[5845,5754],"decade":[6052],"media":[6066,6064],"class_list":["post-2147","artwork","type-artwork","status-publish","hentry","artist-thomas-winfred-tr","streams-hareket-sure-isiklandirma","keywords-lumia-tr","keywords-synaesthesia-tr","decade-pre-1960-tr","media-image-tr","media-video-tr"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/2147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/types\/artwork"}],"author":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/users\/258"}],"version-history":[{"count":0,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/2147\/revisions"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?parent=2147"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artist?post=2147"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/streams?post=2147"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/keywords?post=2147"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/decade?post=2147"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?post=2147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}