{"id":14971,"date":"2021-01-15T22:52:32","date_gmt":"2021-01-16T06:52:32","guid":{"rendered":"https:\/\/artelectronicmedia.com\/artwork\/gelecegin-taniklari-islami-proje\/"},"modified":"2021-01-15T22:52:39","modified_gmt":"2021-01-16T06:52:39","slug":"gelecegin-taniklari-islami-proje","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/tr\/artwork\/gelecegin-taniklari-islami-proje\/","title":{"rendered":"Gelece\u011fin Tan\u0131klar\u0131: \u0130slami Proje"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" width=\"1478\" height=\"678\" class=\"alignnone wp-image-14906 size-full\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-1.png\" srcset=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-1.png 1478w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-1-300x138.png 300w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-1-1024x470.png 1024w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-1-768x352.png 768w\" sizes=\"(max-width: 1478px) 100vw, 1478px\" \/>1996 y\u0131l\u0131nda, \u00c7e\u00e7enistan&#8217;da sava\u015f\u0131n ba\u015flang\u0131c\u0131nda, Rusya merkezli sanat\u00e7\u0131 grubu <a href=\"https:\/\/aesf.art\/\">AES<\/a> (Tatyana Arzamasova, Lev Evzovitch, Evgeny Svyatsky) <em>\u0130slami Proje&#8217;yi<\/em>ba\u015flatt\u0131.<em> <\/em>1996-2003 y\u0131llar\u0131n\u0131 kapsayan ve kolektifi \u00f6n plana \u00e7\u0131karmakla kalmam\u0131\u015f, \u00f6zellikle 11 Eyl\u00fcl&#8217;den sonra tart\u0131\u015fmalara yol a\u00e7an bir dizi eser. \u0130lk a\u015famada, <em>Gelece\u011fin Tan\u0131klar\u0131 <\/em>(1996) \u00fcnl\u00fc bat\u0131 simgelerinin ve turistik yerlerin g\u00f6r\u00fcnt\u00fcleri, Radikal Bir \u0130slam k\u00fclt\u00fcr\u00fc taraf\u0131ndan ele ge\u00e7irilmi\u015f gibi g\u00f6r\u00fcnecek \u015fekilde dijital olarak de\u011fi\u015ftirildi. 1997&#8217;de AES, poster, kartpostal, kupa, hal\u0131, ti\u015f\u00f6rt gibi hediyelik e\u015fyalar\u0131n \u00fczerlerinde bas\u0131lan <i>Gelece\u011fin Tan\u0131klar\u0131 <\/i>g\u00f6r\u00fcnt\u00fcleriyle sat\u0131ld\u0131\u011f\u0131 ve ziyaret\u00e7ilerin gelecek d\u00fcnyada hayali bir tatil planlayabilece\u011fi bir enstalasyon\/performans olan Gelece\u011fe <em>Seyahat Acentas\u0131&#8217;n\u0131<\/em>ba\u015flatt\u0131. A\u015f\u0131r\u0131l\u0131k yanl\u0131lar\u0131 ticari u\u00e7aklar\u0131 ka\u00e7\u0131r\u0131p D\u00fcnya Ticaret Merkezi&#8217;nin \u0130kiz Kuleleri&#8217;ne u\u00e7urduklar\u0131nda, proje yeni bir anlam kazand\u0131. Sanat\u00e7\u0131lar\u0131n yazd\u0131\u011f\u0131 gibi,<\/p>\n<blockquote><p>Korkun\u00e7 ter\u00f6r Amerika&#8217;da patlak verdi\u011finde, 1996 bizim <em>grotesk <\/em>sanatsal fantazm ger\u00e7ek g\u00f6r\u00fcn\u00fcyordu ve &#8230; peygamber olan sanat\u00e7\u0131lar olarak hissedebiliyorduk. [we] Ama \u015fimdi hepimiz Amerika&#8217;daki olaylar\u0131n intikam\u0131n\u0131n zincirin son halkas\u0131 olmayaca\u011f\u0131n\u0131, insanl\u0131\u011f\u0131n fakir ve zengin, dindar ve t\u00fcketici toplumlar\u0131n k\u00fcresel d\u00fcnyas\u0131nda bir arada ya\u015fama sorunlar\u0131n\u0131 \u00e7\u00f6zmesi gereken 21. Proje ne \u0130slam kar\u015f\u0131t\u0131 ne de Bat\u0131 kar\u015f\u0131t\u0131, ancak hem Bat\u0131 hem de Do\u011fu toplumundan fobilerin ortaya \u00e7\u0131kar\u0131ld\u0131\u011f\u0131 ve \u00fczerinde \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131 bir psikanalitik tedavi i\u015flevi g\u00f6r\u00fcyor. In\u00e7&#8230; <em> \u0130slami Proje&#8217;de<\/em> zaman\u0131m\u0131z\u0131n \u00e7eli\u015fkili ahlak ve esteti\u011fini ortaya \u00e7\u0131karmaya \u00e7al\u0131\u015ft\u0131k. \u00c7a\u011fda\u015f sanat\u0131n sorunlar\u0131 \u00e7\u00f6zmedi\u011fine inan\u0131yoruz, ama \u00f6nemli sorular\u0131 g\u00fcndeme getirebilir. [1]<\/p><\/blockquote>\n<p><img decoding=\"async\" width=\"1488\" height=\"684\" class=\"alignnone wp-image-14915 size-full\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-2.png\" srcset=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-2.png 1488w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-2-300x138.png 300w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-2-1024x471.png 1024w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-2-768x353.png 768w\" sizes=\"(max-width: 1488px) 100vw, 1488px\" \/>\u00c7al\u0131\u015fma iki \u015fekilde ortaya \u00e7\u0131km\u0131\u015ft\u0131r: 1) <em>AES Seyahat Acentesi Gelece\u011fe<\/em>, ilk olarak Moskova&#8217;da 1996 y\u0131l\u0131nda g\u00f6sterilmi\u015ftir; ve 2) <em>Oasis<\/em> ba\u015fl\u0131kl\u0131 bir y\u00fckleme  (2000-3), hangi &#8220;geleneksel el yap\u0131m\u0131 hal\u0131lar ipek (M\u0131s\u0131r&#8217;da \u00fcretilen hal\u0131) \u00fczerine bas\u0131lm\u0131\u015f bizim \u0130slami g\u00f6r\u00fcnt\u00fcleri ile pamuklu kuma\u015ftan diki\u015fli yap\u0131lm\u0131\u015f Bedevi \u00e7ad\u0131r taklit eder. Bu meditasyon i\u00e7in bir yerdir ve su borular\u0131, Arap m\u00fczi\u011fi vb ile kanepeler \u00fczerinde r\u00fcya.&#8221; [2] Proje \u00e7o\u011fu Avrupa \u00fclkesi, Amerika Birle\u015fik Devletleri ve G\u00fcney Kore&#8217;de g\u00f6sterildi ve d\u00fcnyan\u0131n \u00f6nde gelen gazete ve dergilerinde ilgi g\u00f6rd\u00fc.<\/p>\n<p><img decoding=\"async\" width=\"2544\" height=\"1178\" class=\"alignnone wp-image-14929 size-full\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4.png\" srcset=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4.png 2544w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4-300x139.png 300w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4-1024x474.png 1024w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4-768x356.png 768w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4-1536x711.png 1536w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-4-2048x948.png 2048w\" sizes=\"(max-width: 2544px) 100vw, 2544px\" \/>Sanat\u00e7\u0131lar\u0131n belirtti\u011fi gibi,<\/p>\n<blockquote><p>Eser Bat\u0131 \u0130slamofobi \u00fczerine bir yorumdu ve \u00f6zellikle Samuel Huntington&#8217;\u0131n 1993&#8217;te &#8220;Medeniyetler \u00c7at\u0131\u015fmas\u0131&#8221;ndaki pop\u00fcler siyasi paradigmas\u0131na at\u0131fta bulunulmu\u015ftur ve yazar, tarihteki gelecekteki cephe hatlar\u0131n\u0131n devletler aras\u0131nda de\u011fil, \u00f6zellikle Bat\u0131 ve \u0130slam&#8217;\u0131 takip eden k\u00fclt\u00fcrler aras\u0131nda olaca\u011f\u0131n\u0131 savunur. Dijital olarak de\u011fi\u015ftirilmi\u015f imgeler, &#8220;Medeniyetler \u00c7at\u0131\u015fmas\u0131&#8221; taraf\u0131ndan ortaya konan teorilerin, \u00f6zellikle bat\u0131 ve \u0130slam aras\u0131ndaki alg\u0131lanan ikilemin (gelenek, sald\u0131rganl\u0131k ve gerikalm\u0131\u015fl\u0131\u011fa kar\u015f\u0131 modernite, yenilik ve bilim imaj\u0131 aras\u0131nda) sa\u00e7mal\u0131\u011f\u0131n\u0131n bir temsili haline geldi. [3]<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2520\" height=\"1182\" class=\"alignnone wp-image-14936 size-full\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5.png\" srcset=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5.png 2520w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5-300x141.png 300w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5-1024x480.png 1024w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5-768x360.png 768w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5-1536x720.png 1536w, https:\/\/artelectronicmedia.com\/wp-content\/uploads\/Pasted-into-Witnesses-of-the-Future-Islamic-Project-5-2048x961.png 2048w\" sizes=\"(max-width: 2520px) 100vw, 2520px\" \/><\/p>\n<p><strong>Ba\u015fvuru<\/strong><\/p>\n<p>Artlyst, &#8220;A<a href=\"https:\/\/www.artlyst.com\/news\/aesf-digital-project-challenges-perceptions-of-islam-in-western-society\/\">ES +F Dijital Projesi Bat\u0131 Toplumunda \u0130slam Alg\u0131lar\u0131na Meydan Okuyor<\/a>&#8221;<\/p>\n<p><a href=\"https:\/\/aesf.art\/\">AES+F web sitesi<\/a><\/p>\n<p>[1] https:\/\/aesf.art\/projects\/islamic_project\/<\/p>\n<p>[2] https:\/\/aesf.art\/projects\/islamic_project\/<\/p>\n<p>[3] https:\/\/aesf.art\/projects\/islamic_project\/<\/p>\n","protected":false},"author":1,"featured_media":14906,"template":"","artist":[6905],"streams":[6947],"keywords":[6955,6953,6949,6952,6954,5773,6951,6950,5774,6948],"decade":[6058,6060],"media":[6066],"class_list":["post-14971","artwork","type-artwork","status-publish","has-post-thumbnail","hentry","artist-aes","streams-simulasyonlar-ve-simulacra","keywords-arab-tr","keywords-bedevi","keywords-cadir","keywords-cecenistan","keywords-hali","keywords-installation-tr","keywords-islam-tr","keywords-musluman","keywords-performance-tr","keywords-savas","decade-1990s-tr","decade-2000s-tr","media-image-tr"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/types\/artwork"}],"author":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":1,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14971\/revisions"}],"predecessor-version":[{"id":14974,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14971\/revisions\/14974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media\/14906"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?parent=14971"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artist?post=14971"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/streams?post=14971"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/keywords?post=14971"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/decade?post=14971"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?post=14971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}