{"id":14806,"date":"2021-01-15T01:15:46","date_gmt":"2021-01-15T09:15:46","guid":{"rendered":"https:\/\/artelectronicmedia.com\/artwork\/hayvan-sebze-her-seyin-mineralligi\/"},"modified":"2021-01-15T01:15:54","modified_gmt":"2021-01-15T09:15:54","slug":"hayvan-sebze-her-seyin-mineralligi","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/tr\/artwork\/hayvan-sebze-her-seyin-mineralligi\/","title":{"rendered":"Hayvan, Sebze, Her \u015eeyin Mineralli\u011fi"},"content":{"rendered":"<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-14806-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=HSBLQUWK9ls&#038;_=1\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=HSBLQUWK9ls\">https:\/\/www.youtube.com\/watch?v=HSBLQUWK9ls<\/a><\/video><\/div>\n<p>Ken Feingold taraf\u0131ndan <em>Hayvan, Sebze, Mineralness Her \u015feyin<\/em> bir so\u011fanl\u0131 nesne \u00e7evreleyen \u00fc\u00e7 konu\u015fan kafalar\u0131 olu\u015fan bir animatronik heykel. Her kafan\u0131n farkl\u0131 bir &#8220;ki\u015fili\u011fi&#8221; vard\u0131r ve kendileri ve merkezdeki nesne hakk\u0131nda konu\u015fmalar yaparlar. Eser 10 Eyl\u00fcl-23 Ekim 2004 tarihleri aras\u0131nda Boston, Massachusetts G\u00fczel Sanatlar M\u00fczesi Okulu Grossman Galerisi&#8217;nde <a href=\"http:\/\/artelectronicmedia.com\/about\/#one\">sergilendi[ 1]<\/a>.<\/p>\n<p>Par\u00e7ada, kafalar\u0131n her \u00fc\u00e7 \u00e7ok benzer d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015fe sahip, ama her biri kelime, al\u0131\u015fkanl\u0131klar\u0131 belirli bir dizi atand\u0131, b\u00f6ylece farkl\u0131 &#8220;ki\u015filikleri&#8221; izlenimi vermek i\u00e7in. Par\u00e7an\u0131n ba\u015fl\u0131\u011f\u0131na g\u00f6re, kafalara &#8220;hayvan&#8221;, &#8220;sebze&#8221; veya &#8220;mineral&#8221; zihin denirken, merkezdeki siyah heykele basit\u00e7e &#8220;o \u015fey&#8221; denir. Kafalar aras\u0131ndaki konu\u015fmalar, birbirlerine olan korkular\u0131, \u015fiddetin do\u011fas\u0131 ve \u00f6nlerindeki heykel etraf\u0131nda d\u00f6n\u00fcyor. Onlar duymak ve birbirlerine yan\u0131t gibi g\u00f6r\u00fcn\u00fcyor, p\u00fcr\u00fczl\u00fc bir \u015fekilde ileri konu\u015fma ta\u015f\u0131yan, ama zaman i\u00e7inde, her kafa kendi \u00e7\u0131karlar\u0131 kendi \u00f6zel k\u00fcmesine geri d\u00f6necekti. Her kafan\u0131n yan\u0131tlar\u0131, \u00f6nceden tan\u0131mlanm\u0131\u015f bir kural k\u00fcmesi kullan\u0131larak bir bilgisayar program\u0131 taraf\u0131ndan ger\u00e7ek zamanl\u0131 olarak olu\u015fturulur ve bu da her kafan\u0131n &#8220;ki\u015fili\u011fini&#8221; de hesaba katar. Sonu\u00e7 olarak, kafalar her konu\u015ftu\u011funda, ileti\u015fim farkl\u0131 olacakt\u0131r, ancak konu\u015fma stili her kafa i\u00e7in tutarl\u0131 olacakt\u0131r.<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-14806-2\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=mIV3whs_pL8&#038;_=2\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=mIV3whs_pL8\">https:\/\/www.youtube.com\/watch?v=mIV3whs_pL8<\/a><\/video><\/div>\n<p>Ken Feingold, &#8220;medya imgelerine ve yeni teknolojilere yans\u0131d\u0131\u011f\u0131 gibi, benlik ve ger\u00e7ek aras\u0131ndaki ili\u015fkiyi&#8221; inceleyen Amerikal\u0131 bir sanat\u00e7\u0131d\u0131r. Son \u00e7al\u0131\u015fmalar\u0131 &#8220;geli\u015fmi\u015f interaktif bilgisayar uygulamalar\u0131n\u0131 teorik stratejilerle birle\u015ftiren bir dizi karma\u015f\u0131k interaktif <a href=\"http:\/\/artelectronicmedia.com\/about\/#two\">kurulumdan&#8221; olu\u015fmaktad\u0131r[2]<\/a>. Sanata yakla\u015f\u0131m\u0131ndan bahsetmi\u015fken, Feingold \u015funlar\u0131 s\u00f6yledi:<\/p>\n<p>&#8220;A.I. sorular\u0131na yakla\u015f\u0131m\u0131m daha \u00e7ok insan ileti\u015fiminin ve ki\u015fili\u011finin do\u011fas\u0131yla ilgilidir ve baz\u0131 y\u00f6nlerden hi\u00e7 d\u00fc\u015f\u00fcnmeden , \u00f6zellikle i\u00e7 psikolojik boyutlar ve bilin\u00e7alt\u0131n\u0131n mekanizmalar\u0131 hakk\u0131nda d\u00fc\u015f\u00fcnmemiz le ilgilidir. \u0130leti\u015fim ba\u015far\u0131s\u0131z oldu\u011funda, kelimelerin hi\u00e7bir anlam\u0131 yokken, sadece ba\u011fda\u015ft\u0131r\u0131c\u0131 de\u011ferlere sahip oldu\u011funda, haf\u0131zan\u0131n sadece birka\u00e7 dakika s\u0131ca\u011fa sahip oldu\u011fu, &#8216;otomatik&#8217; oldu\u011fumuzda a\u00e7\u0131lan bo\u015fluklarla ilgileniyorum.&#8221;<a href=\"http:\/\/artelectronicmedia.com\/about\/#three\">[3]<\/a><\/p>\n<p>Daha sonra \u00f6zellikle <em>Hayvan, Sebze, Her \u015eeyin Mineralli\u011fi<\/em>hakk\u0131nda konu\u015fan Feingold, ilham\u0131n\u0131 vantrilokluktan geldi\u011fini ve &#8220;bir ki\u015fili\u011fi bir \u015feye yans\u0131tma yetene\u011fi&#8221; ile olduk\u00e7a kar\u015f\u0131land\u0131\u011f\u0131 n\u0131 tan\u0131mlad\u0131. bir \u015feyi al\u0131p ba\u015fkas\u0131na koydu\u011funuz psikanalitik projeksiyon kavram\u0131&#8221;. Kafalar kas\u0131tl\u0131 olarak, insanlar\u0131n onlarla ili\u015fki kurabilecekleri kadar ger\u00e7ek\u00e7i olacak \u015fekilde in\u015fa edildiler, ve belli bir &#8220;esrarengizli\u011fi&#8221; \u00fcstlenmek i\u00e7in patentli olarak yapay olarak kald\u0131lar: insan gibi g\u00f6r\u00fcn\u00fcyorlar, ama o zaman b\u00f6yle g\u00f6r\u00fcnebilecek bir insan yok. Bir izleyicinin bu \u00e7al\u0131\u015fman\u0131n alan\u0131nda olma deneyimi aktif yorumve projeksiyonbiridir: &#8220;Zihninizi bir yerde sahneye yans\u0131t\u0131yorsun&#8221; <a href=\"http:\/\/artelectronicmedia.com\/about\/#four\">[4]<\/a>.<\/p>\n<p><img decoding=\"async\" style=\"height: 526px; width: 700px;\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/installed_med72-1-1.jpg\" alt=\"installed_med72.jpg\"><br \/>\nPar\u00e7a sadece kendisiile sohbet de\u011fil, ayn\u0131 zamanda izleyiciler &#8220;polemik ya da sosyal t\u00fcr \u00f6nyarg\u0131lar\u0131 sorgulayarak bireysel veya grup davran\u0131\u015flar\u0131nda te\u015fvik bir polemik tepkileri&#8221; aktive &#8220;davran\u0131\u015fsal tetikleyici&#8221; olarak hareket eden izleyici ile zihinsel bir diyalog olu\u015fturur, yabanc\u0131, sa\u00e7ma veya uyumsuz g\u00f6r\u00fcnt\u00fclerin \u015fok yoluyla yan\u0131lsamalar yok&#8221;  <a href=\"http:\/\/artelectronicmedia.com\/about\/#five\">[5]<\/a>olarak . \u0130nsano\u011flu, kendi d\u00fc\u015f\u00fcncelerimizin belirli \u00f6zelliklerini di\u011fer nesnelere atfetme ya da di\u011fer bir deyi\u015fle di\u011fer varl\u0131klar\u0131 antropomorfize etme e\u011filimine sahiptir. Bu par\u00e7ada konu\u015fan kafalar aras\u0131ndaki konu\u015fma algoritmik olarak olu\u015fturulan veri par\u00e7ac\u0131klar\u0131 daha fazla, ama bir izleyici bile ya da par\u00e7an\u0131n elektronik mevcut olmayabilir kafalar\u0131 baz\u0131 i\u00e7 zihinsel s\u00fcre\u00e7leri \u00fczerine proje teredd\u00fct olmayabilir.<\/p>\n<p>Asl\u0131nda, bu bilin\u00e7 sorunu turing testi olarak bilinen yapay zeka testi olarak resmile\u015ftirildi. Bu testte, bir yarg\u0131\u00e7 paneli bir insan \u00f6zneile etkile\u015fime girecek, ve sonra bir bilgisayar program\u0131, bir metin arabirimi arac\u0131l\u0131\u011f\u0131yla. Yarg\u0131\u00e7lar\u0131n g\u00f6revi daha sonra hangisinin insan, hangisinin bilgisayar program\u0131 oldu\u011funu belirlemektir. Bir bilgisayar program\u0131n\u0131n Turing testini ge\u00e7ti\u011fi s\u00f6ylenir. Belli ki, bu ileti\u015fim hakk\u0131nda bir test, ne ile sohbet ediliyor parti hakk\u0131nda bize s\u00f6yler, hem de konu\u015fma ba\u015flatan parti.<\/p>\n<p>Turing testinden bahsetmi\u015fken, buradaki \u00e7al\u0131\u015fma ile <a href=\"https:\/\/en.wikipedia.org\/wiki\/Turing_test\">Turing testinde<\/a>incelenen bilgisayarlar\u0131n yetene\u011fi aras\u0131nda fark vard\u0131r. Ken Feingold&#8217;un ba\u015fka bir \u00e7al\u0131\u015fmas\u0131yla yap\u0131lan bir kar\u015f\u0131la\u015ft\u0131rma bu fikir farkl\u0131l\u0131\u011f\u0131n\u0131 ayd\u0131nlatabilir. 1999&#8217;da Helsinski&#8217;deki Kiasma \u00c7a\u011fda\u015f Sanat M\u00fczesi&#8217;nin komisyonu alt\u0131nda Feingold &#8220;Kafa&#8221; ad\u0131nda bir eser yaratt\u0131. Bu par\u00e7a asl\u0131nda ziyaret\u00e7ilerile konu\u015fmalar\u0131 me\u015fgul ger\u00e7ek\u00e7i bir insan kafas\u0131, ve kimin nevrozlar (par\u00e7a), ya da konu\u015fma kusurlar\u0131, izole kafas\u0131na belirli bir &#8220;ki\u015filik&#8221; a\u015f\u0131lamada b\u00fcy\u00fck etkisi kullan\u0131lm\u0131\u015ft\u0131r <a href=\"http:\/\/artelectronicmedia.com\/about\/#three\">[3]<\/a>.<\/p>\n<p><img decoding=\"async\" style=\"height: 483px; width: 500px;\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/head_2-1-1.jpg\" alt=\"head_2.jpg\"><\/p>\n<p>(<a href=\"http:\/\/www.kenfeingold.com\/catalog_html\/\">Ba\u015f<\/a>. Foto\u011fraf: Pirje Mykkanen, Merkez Sanat Ar\u015fivleri, Finlandiya)<\/p>\n<p>Par\u00e7a sadece a\u00e7\u0131klanan, ziyaret\u00e7iler bir yar\u0131-Turing testinde bir yarg\u0131\u00e7 ile kar\u015f\u0131la\u015ft\u0131r\u0131labilir, hangi di\u011fer conversationalist kimli\u011fini bir bilgisayar program\u0131 oldu\u011fu ortaya, ama yine de \u00e7al\u0131\u015f\u0131r (ve \u00e7ok iyi ba\u015far\u0131l\u0131) par\u00e7a antropomorfize i\u00e7in izleyici ilham. &#8220;Hayvan, Sebze, Her \u015eeyin Mineralli\u011fi&#8221;nde, izleyici yine de nesnelere psikolojik bir boyut yans\u0131tma e\u011filimini fark etmee\u011filimini fark etmeye biraz tedirgin olan \u015fa\u015fk\u0131n bir izleyicinin bir par\u00e7as\u0131n\u0131 \u00e7alarken, ger\u00e7ek konu\u015fma par\u00e7an\u0131n farkl\u0131 b\u00f6l\u00fcmleri aras\u0131nda ger\u00e7ekle\u015fir. Kafalar\u0131n sadece ba\u011flams\u0131z kurallara ve sequiturs olmayan lara dayal\u0131 bo\u015f konu\u015fmalar me\u015fgul olmas\u0131, ileti\u015fim kurmakta olduklar\u0131ndan daha az \u00f6nemli olabilir.<\/p>\n<div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-14806-3\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=WnzlbyTZsQY&#038;_=3\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=WnzlbyTZsQY\">https:\/\/www.youtube.com\/watch?v=WnzlbyTZsQY<\/a><\/video><\/div>\n<p>[1] B\u00dcY\u00dcK K\u0131RM\u0131Z\u0131. Ken Feingold @ SMFA. B\u00fcy\u00fck K\u0131rm\u0131z\u0131 ve Parlak. Web. 4 Kas\u0131m 2013.<br \/>\n[2] <a href=\"http:\/\/www.artelectronicmedia.com\/biography\/ken-feingold\">Ken Feingold Bio<\/a>. Sanat ve Elektronik Medya.<br \/>\n[3] <a href=\"http:\/\/www.kenfeingold.com\/docs\/The_Subject_of_AI.pdf\">Ken Feingold&#8217; u. Yapay Zeka&#8217;n\u0131n Konusu. Ekim 2002.<\/a><br \/>\n[4] Matthew Gamber. <a href=\"http:\/\/www.bigredandshiny.com\/cgi-bin\/BRS.cgi?section=article&amp;issue=12&amp;article=GAMBER_INTERVIEW_WITH_KEN_8251156\">Ken Feingold ile bir konu\u015fma.<\/a> B\u00fcy\u00fck K\u0131rm\u0131z\u0131 ve Parlak. Web. 4 Kas\u0131m 2013.<br \/>\n[5] Roy Ascott. Sibernetik Duru\u015f: Benim s\u00fcre\u00e7 ve ama\u00e7. Leonardo. Cilt 1. Pg 105-112. 1968.<\/p>\n","protected":false},"author":139,"featured_media":14777,"template":"","artist":[83],"streams":[6851],"keywords":[6854,5789,5787,6852,5882,6853],"decade":[6060],"media":[],"class_list":["post-14806","artwork","type-artwork","status-publish","has-post-thumbnail","hentry","artist-ken-feingold","streams-organlari-suretler-acil-sistemler","keywords-animatronik","keywords-artificial-intelligence-tr","keywords-conversation-tr","keywords-konusu","keywords-robotics-tr","keywords-sibernetik","decade-2000s-tr"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/types\/artwork"}],"author":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/users\/139"}],"version-history":[{"count":1,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14806\/revisions"}],"predecessor-version":[{"id":14808,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14806\/revisions\/14808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media\/14777"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?parent=14806"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artist?post=14806"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/streams?post=14806"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/keywords?post=14806"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/decade?post=14806"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?post=14806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}