{"id":14497,"date":"2021-01-14T23:20:12","date_gmt":"2021-01-15T07:20:12","guid":{"rendered":"https:\/\/artelectronicmedia.com\/artwork\/gaianin-yonleri\/"},"modified":"2021-01-14T23:20:12","modified_gmt":"2021-01-15T07:20:12","slug":"gaianin-yonleri","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/tr\/artwork\/gaianin-yonleri\/","title":{"rendered":"Gaia&#8217;n\u0131n Y\u00f6nleri"},"content":{"rendered":"<div style=\"width: 640px;\" class=\"wp-video\"><!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n<video class=\"wp-video-shortcode\" id=\"video-14497-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=Jav5vVGEu9c&#038;_=1\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=Jav5vVGEu9c\">https:\/\/www.youtube.com\/watch?v=Jav5vVGEu9c<\/a><\/video><\/div>\n<p>Roy Ascott&#8217;un <em>Gaia&#8217;n\u0131n Y\u00f6nleri<\/em> (1989) filmi, telematik ve siber uzay\u0131n bedensiz deneyimini fiziksel uzaydaki somut ger\u00e7ekli\u011fin bedensel deneyimiyle birle\u015ftirdi. Bu ba\u011flamda, &#8220;\u00f6nc\u00fc g\u00fcn&#8221; ve hibrid teknolojik medya dahil Telematik Sanat sonraki formlar\u0131 aras\u0131nda hayati bir ba\u011flant\u0131 kurdu. Gaia&#8217;n\u0131n y\u00f6nleri, \u0130ngiliz kimyager James Lovelock&#8217;un<a href=\"https:\/\/en.wikipedia.org\/wiki\/Gaia_hypothesis\">&#8220;Gaia Hipotezi&#8221;<\/a> ile ilgili metin ve g\u00f6r\u00fcnt\u00fclerin olu\u015fturulmas\u0131 ve d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesinde i\u015fbirli\u011fi yapan telematik kat\u0131l\u0131mc\u0131lardan olu\u015fan k\u00fcresel bir a\u011f\u0131 bir araya getirdi..&#8221; Bu b\u00fct\u00fcnsel teori, D\u00fcnya&#8217;n\u0131n (Gaia) birle\u015fik bir canl\u0131 organizma oldu\u011funu ve iklim, atmosfer, co\u011frafya, bitki ve hayvanlar\u0131n gezegenin canl\u0131l\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrecek \u015fekilde birlikte geli\u015ftirdiklerini ileri s\u00fcrm\u00fc\u015ft\u00fcr. [1] Kat\u0131l\u0131mc\u0131lar \u00e7e\u015fitli aray\u00fczler arac\u0131l\u0131\u011f\u0131yla ve Brucknerhaus&#8217;un \u00fc\u00e7 d\u00fczeyinde (Linz, Avusturya&#8217;daki Ars Electronica festivalinde \u00e7al\u0131\u015fman\u0131n merkezi sitesi) k\u00fcresel veri ak\u0131\u015f\u0131na eri\u015febilir ve bilgilere katk\u0131da bulunabildiler. Ortaya \u00e7\u0131kan \u015fey, &#8220;ruhsal, bilimsel, k\u00fclt\u00fcrel ve mitolojik bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n \u00e7oklu\u011fundan g\u00f6r\u00fclen&#8221; D\u00fcnya&#8217;n\u0131n bir portresiydi. [2]<\/p>\n<p>Brucknerhaus&#8217;un \u00fcst kat\u0131nda, b\u00fcy\u00fck bir yatay ekran bir bilgisayar monit\u00f6r\u00fcn\u00fcn geleneksel dikey y\u00f6n\u00fcn\u00fc kas\u0131tl\u0131 olarak bir araya getirip, izleyicilerin d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan uzaktan katk\u0131da bulunan g\u00f6r\u00fcnt\u00fc ve metinlerin veri ak\u0131\u015f\u0131na bakmalar\u0131n\u0131 sa\u011flad\u0131. (Bu ku\u015fbak\u0131\u015f\u0131 g\u00f6r\u00fcn\u00fcm\u00fc sanat\u00e7\u0131 ve 1960&#8217;larda ve 1970&#8217;lerde Ascott sibernetik eserleri etkileyen sanat aras\u0131ndaki yatay \u00e7al\u0131\u015fma ili\u015fkisi ile ilgilidir.) Alt katta, yatay bilgisayar ekranlar\u0131 Ascott&#8217;un &#8220;bilgi \u00e7ubuklar\u0131&#8221; olarak adland\u0131rd\u0131\u011f\u0131, veri t\u00fcketiminin alkolkaynakl\u0131 bir stupor yerine daha fazla zihin berrakl\u0131\u011f\u0131yla sonu\u00e7lanmas\u0131 ama\u00e7land\u0131\u011f\u0131 mecazi kokteyl salonlar\u0131 olarak adland\u0131rd\u0131\u011f\u0131 \u015fekilde ayarlanm\u0131\u015ft\u0131r. Bilgi \u00e7ubuklar\u0131nda g\u00f6r\u00fcnen a\u011f \u00fczerindeki g\u00f6r\u00fcnt\u00fcler, kullan\u0131c\u0131lar\u0131n seslerine yan\u0131t veren akustik sens\u00f6rler veya saya\u00e7taki bir bilgisayar faresi taraf\u0131ndan de\u011fi\u015ftirilebilir.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/artelectronicmedia.com\/wp-content\/uploads\/hqdefault.jpg\" alt=\"Gaia'n\u0131n Y\u00f6nleri - YouTube\"><br \/>\nBrucknerhaus&#8217;un alt\u0131ndaki karanl\u0131kta, izleyiciler gaia hakk\u0131nda mesajlar yan\u0131p s\u00f6nen LED ekranlar\u0131n yan\u0131ndan ge\u00e7en bir tramvaya (yatay bir konumda) binebiliyordu. \u0130zleyici, canl\u0131 bir organizma olarak D\u00fcnya ile ilgili olarak telematik bilincin ortaya \u00e7\u0131kan kalitesi hakk\u0131nda fikir aktaran bir deneyime fiziksel olarak dahil oldu. Ascott&#8217;un makalesinde anlatt\u0131\u011f\u0131 gibi, &#8220;Telematik Kucaklamada A\u015fk Var m\u0131?&#8221; (1990), gaia gibi birlikte geli\u015fen eserin unsurlar\u0131, sanat\u00e7\u0131, izleyici ve sanat, do\u011fa (D\u00fcnya) ve k\u00fclt\u00fcr (teknoloji) aras\u0131ndaki ayr\u0131mlar, onlar\u0131n uyumlu, kar\u015f\u0131l\u0131kl\u0131 kendini yaratma n\u0131n a\u00e7\u0131lma s\u00fcresi i\u00e7inde birle\u015ftik\u00e7e bulan\u0131kla\u015ft\u0131.<\/p>\n<p>[1] James E. Lovelock. <em>Gaia, D\u00fcnya&#8217;daki Hayata Yeni Bir Bak\u0131\u015f.<\/em> Oxford: Oxford \u00dcniversitesi Yay\u0131nlar\u0131: 1979.<\/p>\n<p>[2] Roy Ascott, &#8220;Telematic Embrace&#8217;da A\u015fk Var m\u0131&#8221; <em>Sanat Dergisi<\/em>, 1990. Bkz. http:\/\/telematic.walkerart.org\/overview\/overview_ascott.html<\/p>\n<p>Edward A. Shanken al\u0131nt\u0131, &#8220;Sibernetik Telematik g\u00f6nderen: Sanat, Pedagoji, ve Roy Ascott Teorisi,&#8221; Roy Ascott, <em>Telematic Embrace: Visionary Teoriler Sanat, Teknoloji ve Bilin\u00e7, <\/em>Edward A. Shanken, ed. Berkeley: University of California Press, 2001. Bkz. http:\/\/www.ucpress.edu\/books\/pages\/8867.php<\/p>\n","protected":false},"author":4,"featured_media":14459,"template":"","artist":[],"streams":[],"keywords":[],"decade":[],"media":[],"class_list":["post-14497","artwork","type-artwork","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/types\/artwork"}],"author":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"version-history":[{"count":0,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artwork\/14497\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media\/14459"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?parent=14497"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/artist?post=14497"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/streams?post=14497"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/keywords?post=14497"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/decade?post=14497"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/tr\/wp-json\/wp\/v2\/media?post=14497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}