{"id":2494,"date":"2009-07-15T07:47:19","date_gmt":"2009-07-15T14:47:19","guid":{"rendered":"http:\/\/artelectronicmedia.com\/biography\/robert-lazzarini\/"},"modified":"2009-07-15T07:47:19","modified_gmt":"2009-07-15T14:47:19","slug":"robert-lazzarini","status":"publish","type":"biography","link":"https:\/\/artelectronicmedia.com\/en\/biography\/robert-lazzarini\/","title":{"rendered":"Robert Lazzarini"},"content":{"rendered":"<p><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"> brief bio<\/span><\/strong> [source: http:\/\/www.pierogi2000.com\/flatfile\/lazzarinpayphone.html]<\/p>\n<p><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">solo exhibitions<br \/><\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">2000 <\/span><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"> <\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"><br \/> Pierogi, Brooklyn, NY<\/span><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"> <br \/><\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"><br \/> 1998<\/span><em><span style=\"font-family: arial,helvetica,geneva; color: #dda330;\"><br \/><\/span><\/em><span style=\"font-family: arial,helvetica,geneva;\"><em>violin, <\/em>Pierogi          2000, Brooklyn, NY<\/p>\n<p><\/span><span style=\"font-family: arial,helvetica,geneva; color: #dda330;\"><span style=\"color: #000000;\">1995<\/span><br \/><\/span><span style=\"font-family: arial,helvetica,geneva;\">Gina Fiore Salon, New York,          NY<\/span><\/p>\n<p><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">selected group          exhibitions<br \/><\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">2002<br \/> The Whitney Biennial, The Whitney Museum of American Art, New York, NY<br \/><em>On Perspective, <\/em>Gallery Faurschou, Copenhagen, Denmark<br \/><em>Situated Realities&#8221; Works from the Silicon Elsewhere, <\/em>MICA,          Baltimore, MD<\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">2001<br \/> Brent Sikkema Gallery, New York, NY<em><br \/> Bitstreams,<\/em> The Whitney Museum of American Art, New York, NY<br \/><em>Pierogi Flat Files,<\/em> Block Artspace, Kansas City, MO<\/p>\n<p> 2000<br \/><em>Minutiae, <\/em>Southeastern Center for Contemporary Art (Secca), Winston-Salem,          NC <br \/><em>Haulin&#8217; Ass, <\/em>Post, Los Angeles, CA<br \/><em>Multiple Sensations, <\/em>Yerba Buena Center For the Arts, San Francisco,          CA <\/p>\n<p> 1998<br \/><em>Invitational &#8217;98, <\/em>Stefan Stux Gallery, New York, NY<\/p>\n<p> 1997<\/span><span style=\"font-family: arial,helvetica,geneva; color: #dda330;\"><br \/><\/span><em><span style=\"font-family: arial,helvetica,geneva;\">New York Drawers,<\/span><\/em><span style=\"font-family: arial,helvetica,geneva;\"> Gasworks Gallery, London and The CornerHouse, Manchester<br \/><em>Current\/Undercurrent: Working in Brooklyn,<\/em> Brooklyn Museum of Art,          Brooklyn, NY<br \/><em>Gramercy International,<\/em> Gramercy Hotel, Pierogi 2000, New York,          NY<br \/><em>Genuine Fiction,<\/em> W-139, Amsterdam<br \/><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,geneva; color: #dda330;\"><span style=\"color: #000000;\">1996<br \/><\/span><\/span><span style=\"color: #000000;\"><em><span style=\"font-family: arial,helvetica,geneva;\">Gramercy          International,<\/span><\/em><span style=\"font-family: arial,helvetica,geneva;\"> Gramercy Hotel, Gina Fiore Salon, New York,          NY<br \/><em>Independents Show,<\/em> Galeria El Bohio, New York, NY<br \/><em>Self Images, <\/em> HBO Corporate Gallery, New York, NY<br \/><\/span><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">1994<br \/><\/span><span style=\"color: #000000;\"><em><span style=\"font-family: arial,helvetica,geneva;\">Second          Independents Biennial,<\/span><\/em><span style=\"font-family: arial,helvetica,geneva;\"> Galeria El Bohio, New York, NY<br \/><em>Soup,<\/em> 10, New York, NY<br \/><em>Intercourse,<\/em> Mustard, Brooklyn, NY<br \/><\/span><\/span><\/p>\n<p><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"><strong>bibliography<br \/><\/strong><\/span><span style=\"font-family: arial,helvetica,geneva;\"><em>New York Magazine,<\/em> March 10\u201317,          2002. <br \/> Tim Griffin, &#8220;Bi American,&#8221;<em> Time Out NY,<\/em> March 14\u201321,          2002 <br \/> Jerry Saltz, &#8220;American Bland Stand,&#8221; <em>The Village Voice,<\/em> March 7, 2002<br \/> Ariella Budick, &#8220;Modern Media Blitz,&#8221; <em>Newsday,<\/em> March          10, 2002<br \/> Sarah Douglas, &#8220;The 70th Whitney biennial opens,&#8221; <em>The Art          Newspaper,<\/em> March 2002<br \/> Dan Bischoff, &#8220;Moving images: At the Whitney Biennial, everything\u2013even          the facade\u2013is in motion,&#8221; <br \/><em>The Star-Ledger,<\/em> March 7, 2002 <br \/> Jessica Dawson, &#8220;In Computer-Enhanced Pics, Gee Whiz Overwhelms the          Art,&#8221;<em> Washington Post,<\/em> March 7, 2002<\/span><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"><br \/> Lee Gardner, &#8220;Brave New World of Digital Imaging Wears a Traditional          Face,&#8221; <em>Baltimore City Paper Online, <\/em>February 2002<strong><br \/><\/strong><\/span><span style=\"font-family: arial,helvetica,geneva;\">Barbara Pollock, &#8220;Back to the Future          with &#8216;Bitstreams&#8217;,&#8221; <em>Art in America,<\/em> September 2001<br \/> Nicole Krauss, &#8220;Still Life with Phone and Gun,&#8221; <em>Art News,<\/em> June 2001<br \/> Katie Clifford, &#8220;Bitstreams,&#8221; <em>Art News,<\/em> June 2001<br \/> Denise Carvahlo, &#8220;Bitstreams,&#8221; <em>Flash Art,<\/em> May &#8211; June          2001<br \/> Robert Atkins, &#8220;Surface Pleasures,&#8221; <em>Art Byte, <\/em>May &#8211; June          2001.<br \/> Micaela Giovannotti, &#8220;Bitstreams,&#8221; <em>tema celeste, <\/em>Year          XVIII, #85, May &#8211; June 2001<br \/> Jerry Saltz, &#8220;Byte Lite,&#8221; <em>Village Voice, <\/em>May 1, 2001<br \/> Tim Griffin, &#8220;The End of the Beginning,&#8221; <em>TimeOut NY, <\/em>April          26 &#8211; May 3, 2001<br \/><em>tema celeste,<\/em> &#8220;News and Around,&#8221; #84, March &#8211; April,          2001.<br \/> Lee Rosenbaum, &#8220;Tech Art: Boom or Bust?,&#8221; <em>The Wall Street          Journal, <\/em>April 6, 2001<br \/> Mark Stevens, &#8220;Geek Art,&#8221; <em>New York Magazine, <\/em>April 2,          2001<br \/> Michael Kimmelman, &#8220;Creativity, Digitally Remastered,&#8221; <em>The          New York Times Magazine, <\/em>March 23, 2001<br \/> Steve Bodow, &#8220;The Whitney&#8217;s Digital Sampler,&#8221; <em>New York Magazine,<\/em> March 26, 2001<br \/> Glenn R. Phillips, &#8220;Bit Streams,&#8221; <em>Inter Vista,<\/em> Vol. IV,          #24, Fall &#8211; Winter, 200-01<br \/> Max Henry, &#8220;Features: Robert Lazzarini,&#8221; <em>tema celeste, <\/em>Year          XVIII, #83, January &#8211; February 2001<br \/><em>Winston-Salem Journal, <\/em>&#8220;Adding Extra to Ordinary,&#8221; January          7, 2001<br \/><em>Art Byte, <\/em>&#8220;Speed Reading,&#8221; January &#8211; February 2001, Winter          2001 Preview, January 2001<br \/> Matt Muro, <em>The New York Times on the web, <\/em>Pick of the Week, October          2000<br \/><em>Art News <\/em>Special: The Cutting Edge, &#8220;Small Budgets, Large          Ambitions,&#8221; October 1996<br \/> Robert Edelman, &#8220;Robert Lazzarini,&#8221; <em>Cover Art, <\/em>March          1996 <br \/><\/span><\/p>\n<p><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">awards<br \/><\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">New York          Foundation for the Arts, Visual Arts Grant, July 1985<br \/> New York Foundation for the Arts, Visual Arts Grant, renewal, June 1986<br \/><\/span><\/p>\n<p><strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\">education<\/span><\/strong><span style=\"font-family: arial,helvetica,geneva; color: #000000;\"><br \/> 1990 \u00a0\u00a0 BFA, School of Visual Arts<br \/> 1985 <\/span><span style=\"color: #000000;\">\u00a0\u00a0<span style=\"font-family: arial,helvetica,geneva;\">Parsons          School of Design<\/span><\/span><\/p>\n<p>Related Links:<\/p>\n<p>http:\/\/www.robertlazzarini.com\/<\/p>\n<p>http:\/\/www.artmag.com\/museums\/a_usa\/ausrdvf\/lazzarin.html<\/p>\n<p>http:\/\/en.safmuseum.org\/pages\/bio.php?id=63.html<\/p>\n<p>http:\/\/the-artists.org\/artist\/robert-lazzarini<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n","protected":false},"featured_media":0,"template":"","artist":[45],"decade":[],"class_list":["post-2494","biography","type-biography","status-publish","hentry","artist-robert-lazzarini"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/biography\/2494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/biography"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/types\/biography"}],"version-history":[{"count":0,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/biography\/2494\/revisions"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/media?parent=2494"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/artist?post=2494"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/decade?post=2494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}