{"id":36,"date":"2009-07-15T06:04:13","date_gmt":"2009-07-15T13:04:13","guid":{"rendered":"http:\/\/artelectronicmedia.com\/artwork\/yantra\/"},"modified":"2019-12-30T14:58:09","modified_gmt":"2019-12-30T22:58:09","slug":"yantra-2","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/en\/artwork\/yantra-2\/","title":{"rendered":"Yantra"},"content":{"rendered":"

The work was created between 1950 and 1957 on 16 mm colour film. Dr. William Moritz describes the film like follows: ‘Yantra (1955) is named with the Sanskrit word for “holy machine,” either a meditational device, like a mandala, or the great clockwork order of the universe. The film consists entirely of dot patterns – dots, like atoms, are the building-blocks of creation – that were punched into thousands of 5×7 cards with a pin, over a five-year period. James hand-developed the film, and solarized some portions for texture and exotic colors. The images enact a revelation of some primal mystery, a fascinating dynamism of seething, flickering particles that boil up to a climax of shattering vigor: creation laid bare. Then they implode with a dizzying entropy.<\/em>‘ [1]<\/p>\n

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