{"id":142,"date":"2009-08-22T01:17:59","date_gmt":"2009-08-22T08:17:59","guid":{"rendered":"http:\/\/artelectronicmedia.com\/artwork\/beatles-electroniques\/"},"modified":"2021-01-01T23:34:52","modified_gmt":"2021-01-02T07:34:52","slug":"beatles-electroniques-2","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/en\/artwork\/beatles-electroniques-2\/","title":{"rendered":"Beatles Electroniques"},"content":{"rendered":"

\"Beatles [1]<\/p>\n

“This is an interesting pioneering piece of work in video art realized
\nin 1969 by Jud Yalkut and Nam June Paik. The authors take filmed and
\nsound extracts from a Beatles concert, as well as the visual rendition
\nof the concert sound on the monitors of the recording equipment,
\nprocess the images and the sound to create something new and different” [2]<\/p>\n

“Original soundtrack: \u201cFour Loops\u201d by Kenneth Werner. \u201cBEATLES
\nELECTRONIQUES was shot in black-and-white from live broadcasts of the
\nBeatles while Paik electromagnetically improvised distortions on the
\nreceiver, and also from videotaped material produced during a series of
\nexperiments with filming off the monitor of a Sony videotape recorder.
\nThe film is three minutes long and is accompanied by an electronic
\nsoundtrack by composer Ken Werner, called \u2018Four Loops,\u2019 derived from
\nfour electronically altered loops of Beatles sound material.” [3]<\/p>\n

\n