{"id":102,"date":"2009-07-17T06:27:23","date_gmt":"2009-07-17T13:27:23","guid":{"rendered":"http:\/\/artelectronicmedia.com\/artwork\/between-you-and-i\/"},"modified":"2009-07-17T06:27:23","modified_gmt":"2009-07-17T13:27:23","slug":"between-you-and-i","status":"publish","type":"artwork","link":"https:\/\/artelectronicmedia.com\/en\/artwork\/between-you-and-i\/","title":{"rendered":"Between You and I"},"content":{"rendered":"<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\"><img fetchpriority=\"high\" decoding=\"async\" src=\"\/wp-content\/uploads\/images\/mccall_2.jpg\" title=\"Between You And I\" class=\"float-right\" height=\"522\" width=\"365\" \/><\/span><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\">Vertical solid light installation, 32-minute cycle in two parts. Computer, QuickTime movie file, two video projectors, two haze machines. .\u00a0<\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\">&#8220;British artist Anthony McCall (born 1946) has a cross-disciplinary practice in which film, sculpture, installation, drawing and performance overlap. McCall was a key figure in the avant-garde London Film-makers Co-operative in the 1970s and his earliest films are documents of outdoor performances that were notable for their minimal use of the elements, most notably fire.<\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\"><\/p>\n<p>After moving to New York in 1973, McCall continued his fire performances and developed his \u2018solid light\u2019 film series, conceiving the now-legendary Line Describing a Cone, in 1973. These works are simple projections that strikingly emphasise the sculptural qualities of a beam of light. In darkened, haze-filled rooms, the projections create an illusion of three-dimensional shapes, ellipses, waves and flat planes that gradually expand, contract or sweep through space. In these works, the artist sought to deconstruct cinema by reducing film to its principle components of time and light and removing the screen entirely as the prescribed surface for projection. The works also shift the relationship of the audience to film, as viewers become participants, their bodies intersecting and modifying the transitory forms.<\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\"><\/p>\n<p>At the end of the 1970s, McCall withdrew from making art. Over 20 years later, he acquired a new dynamic and re-opened his \u2018solid light\u2019 series, this time using digital projectors rather than 16mm film. Through his involvement in expanding the notion of cinema, which enabled a more complex experience of projection, McCall has become a hero to a younger generation of artists working with film and installation.&#8221;[1]\u00a0 Between You and I is an example of McCall&#8217;s more recent work, using new technologies to build on prior concepts and practices.<\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\"><\/p>\n<p>&#8220;A renewed interest in his work has resulted in many screenings of his individual projections at museums and galleries internationally, as well as inclusion in major group exhibitions, such as Into the Light: the Projected Image in American Art, 1964-77, Whitney Museum, New York, 2001-02; X-Screen: The Expanded Screen: Actions and Installations of the Sixties and Seventies, Museum Moderner Kunst, Vienna, 2003-4; Expanded Cinema: Film as Spectacle, Event, Performance, Hartware Medien Kunstverein, Dortmund, 2004; Eyes, Lies and Illusions, Hayward Gallery, London, 2004; The Expanded Eye, Kunsthaus Z\u00fcrich, 2006, and Projections: Beyond Cinematic Space, Hamburger Bahnhof, Berlin, 2006-07.&#8221;[2] <\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\"><br \/><\/span><\/p>\n<p><span style=\"color: #999999; font-family: verdana; font-size: 11px; line-height: 14px;\">[1,2]<a title=\"Between You And I\" href=\"http:\/\/www.serpentinegalleries.org\/2007\/04\/anthony_mccalldecember_2007_ja.html\" target=\"_blank\" rel=\"noopener noreferrer\">Serpentine Gallery Description from 2007-08 exhibition<\/a><\/span><\/p>\n","protected":false},"author":7,"featured_media":0,"template":"","artist":[94],"streams":[2],"keywords":[2237,2180,2236],"decade":[5544],"media":[5550],"class_list":["post-102","artwork","type-artwork","status-publish","hentry","artist-anthony-mccall","streams-motion-duration-illumination","keywords-fog","keywords-immersive","keywords-light-installation","decade-2000s","media-installation"],"_links":{"self":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/artwork\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/artwork"}],"about":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/types\/artwork"}],"author":[{"embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/users\/7"}],"version-history":[{"count":0,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/artwork\/102\/revisions"}],"wp:attachment":[{"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/media?parent=102"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/artist?post=102"},{"taxonomy":"streams","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/streams?post=102"},{"taxonomy":"keywords","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/keywords?post=102"},{"taxonomy":"decade","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/decade?post=102"},{"taxonomy":"media","embeddable":true,"href":"https:\/\/artelectronicmedia.com\/en\/wp-json\/wp\/v2\/media?post=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}