[video src=https://www.youtube.com/watch?time_continue=99&v=wVYJ8EwL7WA height:195 align:right] Adam Ferriss’s art installation from June 2018, Likeness, takes one person’s face and transforms it into another. It “reimagines face-filtering and remolds people’s appearances in real time.” Likeness, curated by Alex Czetwertynski, another digital artist and curator, was produced for Google IO 2018 in the Museum of Developer Art and commissioned by UCLA Conditional Studio. Ferriss began his installation by presenting the computer two sets of images: generic photographs of people, and what Ferriss calls “label maps” that “identify and highlight the different facial features, like eyes, eyebrows, jawline, mouth, and nose, present in the photographs."
This article is a STUB please make edits and adjustments as suggested on Wikipedia to make it more robust. Thanks! Contact: A Cybernetic Sculpture by Les Levine LES LEVINE produced two installations, Iris (1968) and Contact: A Cybernetic Sculpture (1969), which were important predecessors to Wipe Cycle, although less complex. In Iris, […]
La Funambule Virtuelle by Michel Bret and Marie-Helene Tramus
The linked .pdf file is a printer-friendly version of the complete text of Rokeby's essay, "Transforming Mirrors: Subjectivity and Control in Interactive Media". It is derived from the HTML version on the artist's website: http://www.davidrokeby.com/mirrorsart.html Originally published in Simon Penny, ed. Critical Issues in Interactive Media. SUNY Press, 1995.
scale is an interspecies art project: an audience-interactive installation that involves nocturnal electric fish from the Amazon River Basin. Twelve different species of these fish comprise a ‘choir’ whose sonified electrical fields provide the source tones for an immersive audiovisual environment. The fish are housed in individual tanks configured in a custom-built arc of aluminum […]
From the artist’s website
Rafael Lozano-Hemmer’s>Rafael Lozano-Hemmer’s Vectorial Elevation is “an interactive art project originally designed to celebrate the arrival of the year 2000 in Mexico City’s Zócalo Square. The website www.alzado.net enabled any Internet user to design light sculptures over the city’s historic centre, with eighteen searchlights positioned around the square. These searchlights, whose powerful beams could be seen within a 15 kilometers radius, were controlled by an online 3D simulation program and visualised by digital cameras. A personalised webpage was produced for every participant with images of their design and information such as their name, dedication, place of access and comments. These web pages were completely uncensored, allowing participants to leave a wide variety of messages, including love poems, football scores, Zapatista slogans and twenty-seven marriage proposals. In Mexico, the project attracted 800,000 participants from 89 countries over the course of its two-week duration.”
The author of this entry’s own video from 2005 when the Blinkenlights installation was revamped for a city lights festival:
The Zero@wavefunction installation and interactivity is based on the way a nanoscientist manipulates an individual molecule (billions
Aspen Moviemap:[video src=http://www.youtube.com/watch?v=Hf6LkqgXPMU]