[video src= height:220 align:left hspace:10]The Japanese experimental visual artist Takashi Ito’s 1982 short film Thunder tests two extremes of the fairly conventional medium of film. A five minute pulsing odyssey through an industrial architectural network, fueled by long exposure light drawings and a mechanical score that perverts both voice and glass samples, Thunder is maximal in its approach to providing audiovisual information, while boldly displaying a lack of kinetic cohesion. The entirety of the film consists of sequenced photographs, relying on the phenomenon of persistence of vision to enable the viewer to “perceive motion smoothly unfold over time.”

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The work was created between 1950 and 1957 on 16 mm colour film. Dr.