The Tunnel under the Atlantic, by Maurice Benayoun is an interesting stimulatory system that connects visitors of the Pompidou Centre in Paris to the visitors of the Museum of Contemporary Art in Montreal through a simulated “digging” through skewed virtual medium. By using televirtuality, people in each museum can dig to meet each other, and then interact with each other in this virtual channel. They are brought together through communication as they survey their virtual surroundings that reveal geological strata as iconographic strata, bringing both shape and recognizable textures.
There are innumerable strategies and motivations behind impersonation on the Internet. Some are legitimate hoaxes, others malicious, others satire. Take this typo for example: Gogle.com. Hypothetically, for every person with a sticky "o" key, or too fast of a double-keystroke, there is someone out there who is able to maliciously attack the unfortunately imperfect typist, logging history, Internet etiquette, and personal data. Inversely, one could hypothetically use similar guerilla tactics to attack companies of questionable moral standing, which is exactly what an internet-hoax group, referred to as “The Yes Men,” have done.
"Natural History of the Enigma" is a series of works that presents the transgenic petunia flower "Edunia", which has part of the artist Eduardo Kac's genetic sequence inserted into it. Aside from the plant itself, the series comprises of limited edition seed packs of the plant, a set of lithographs called "Edunia Seed Pack Studies", the public sculpture "Singularis", watercolor paintings "Mysterium Magnum I-VIII", and photographs of the plant "Plantimal I-VI". The project was developed by Eduardo Kac in collaboration with scientists from University of Minnesota between 2003 and 2008, and was initially exhibited at the Weisman Art Museum in Minneapolis .
Sound Bites City is a collection of sound art from 19 sound artists from around the world at the RMIT University in Australia. Exhibited at the RMIT University Gallery, the sound art is played through speakers that are scattered around a round physical structure that culminates with a raised, faux, grassy knoll. This space is called the Torus. RMIT University describes the Torus as “an exciting circular structure that has been specially designed by architects, engineers and sound designers based in RMIT's SIAL unit to provide the best way to exhibit sound.”
The Net Blow-Up exhibit, by croatian-austrian design collective Numen/For Use, is a highly interactive sculpture evoking nostalgia from the bouncy-castles of our youth. “Although the history of art has cultishly celebrated the individual genius, the field increasingly has recognized the importance of exhibitions, institutions and communities in shaping the production, reception and historical contextualization of art.”  This collaborative effort is humble, playful and simple in a way that is a necessary counterpoint to the pretentiousness that feeds the majority of modern art. I do not intend to belittle the cutting edge; I just mean that without exhibits like Net Blow-Up the world of art would be a lot less fun.
"Ominous" is an audio-visual performance by Marco Donnarumma in which the artist uses his body to compose sound pieces using a device that records his movements. The piece was commissioned by the European Conference of Promoters of New Music (ECPNM) for the occasion of the 5th Live Electronic Music Project Competition. It premiered on 3rd November 2012 at the World's New Music Days, and since then has been performed at various other venues such as National Academy of Arts in Bulgaria, New York Electronic Arts Festival, etc .